I don’t know if it’s just me, but Christmas television this year hasn’t felt as special or as inspiring as it sometimes does. There’s no Christmas Doctor Who special, and no superb films finally showing on TV, so that the only thing to look forward to seemed to be Gavin & Stacey. Wait a minute, Gavin and Stacey returning after a decade?? Yes! Many, many, many of us were looking forward to this welcome return to the twin worlds of Billericay and Barry Island, and thank goodness it was a perfect episode that wasn’t ruining anything that went before.

When I first wrote about For All Mankind, it was out of duty rather than enjoyment really. This was a show about the moon with a sprinkling of feminism and couldn’t have been made more for me if it tried. I talked of how the first episode dragged and the second picked up and by the third I was hooked. Well, I should have sensed the pattern there because every single episode that went by was better than the one before and by the tenth episode, the season finale, I was enthralled. We binge-watched the last three episodes together and I’m glad we did because the [spoiler-alert] cliffhanger with the guy in the airlock was spine-tinglingly good.

As soon as it hit December, I restarted my Netflix subscription, because there’s no way I was going to miss out on all those cheesy Christmas movies. However, the bonus alongside festive treats is catching up on the big series’ that were released over the last six months that I have fallen behind on. Starting with the final ever series of Orange is the New Black, bringing to a close the show that was one of the OG Netflix Originals.

I knew I was going to love Dickinson because, from the trailer, it was a modern take on the early life of this infamous poet. I’ll be honest and admit to knowing little about Emily other than her name, but as soon as I knew Hailee Steinfeld was in it, I was on board. And it was SO GOOD. Ten half-hour episodes of Hailee and her friends reinventing what a good period piece is. Here are five things to love about this new and exciting show, that thankfully has been renewed for a second series already:

The US version of The Office has been off air for over six years, but it is barely out of the public consciousness and rarely a day goes by that I don’t see an Office gif fly by on my Twitter stream. The success of the Office didn’t diminish the brilliance of the original UK version but it certainly dwarfed it in popularity – spreading its wings to be much more of an ensemble piece, and covering far more ground than the original two series ever could.

I recently discovered the podcast Robot or Not which is an audio show where: “Jason Snell asks John Siracusa to rule on the meaning of various words and concepts. It’s not just about robots anymore.” I have been listening to the entire back catalogue, partly because the episodes are so short but also because they’re so fascinating. As the title suggests, the concept started out solely about robots but has branched out to food, ethics, religion and actually quite a lot about food. One of the older episodes I listened to was all about how to distinguish between movies and television these days.

I just wanted to write a couple of thoughts down in praise of the TV series State of the Union. It aired earlier in the year in the US, I believe, and has just been shown on the BBC and via iPlayer and I absolutely drank that show up. Written by novelist Nick Hornby, the show consists of ten episodes of only about ten minutes each dipping into the lives of a married couple seeking counselling for their union.

I’m behind the times on this, but I’m glad I waited to watch Aisling Bea’s new comedy This Way Up. I bought the entire series to binge on the Apple TV and got through it in super quick time - it was wonderful and heartbreaking and genuine and lovely and inspirational and sobering all in equal measure. The two areas it particularly shines in are the portrayal of struggling with mental health - Bea’s character Aine is recovering from a nervous breakdown and trying to deal with life in a very lonely London. It’s a difficult subject to talk about let alone make a comedy of, but the tone of every episode is perfect. The fact that Aine can whip smart her way out of any conversation, but seconds later when by herself, sinks to her knees in desperation - I don’t know if there’s anyone who couldn’t relate to that in some way.

So the new trailer for Apple TV+ series The Morning Show looks gooood. I didn’t want it to be good because I have too much TV to watch as it is, but trust Apple to dive in with some quality TV straight from the off. It’s some of my favourite people and it looks dramatic and interesting and dammit… gonna have to clear some time in my schedule.

I’ve recently started catching up on podcasts again, and this time I’ve discovered Rene Ritchie’s Vector. It’s officially a YouTube show, covering the latest news and insights into the world of Apple and technology, but there’s also an audio-only podcast which is my preferred method. As I’m a little behind, I was listening to the shows released around WWDC, and this episode about the new tvOS caught my attention. Specifically this bit towards the very beginning:

You’d probably have to have been living under a rock to have missed that there was a docu-drama programme telling the story of the Chernobyl Nuclear Reactor disaster and what happened afterwards. It has been very well received and widely considered one of the best things on TV so far. I’m not going to add too much to the overwhelming level of support this TV series has got, because I too thought it was incredible. It’s grim viewing, and you can’t really say you enjoyed it after seeing the whole thing, but there’s something about it that grabs you and won’t let you go. The acting is incredible, the visuals astounding and the story is something else.

Game of Thrones spoilers within! Hey people, we did it! I mean, I can’t pretend that I have joined you all on an epic eight year long journey to find out who would finally be sitting on the Iron Throne, but it has been a pretty intense ride for me too. I think the fact that I binge watched all eight series in about six weeks means that I’ve a slightly different perspective than the ardent fans who have waited and wondered and sat patiently and theorised and loved and let this show take over their lives. However, I do still have thoughts to share and here are some of them.

Okay, Game of Thrones fans, look away now because I know you’re just enjoying some of the best episodes ever (apparently), but I am still miles behind you. Yes, that’s me, one of those people that gets caught up on the hype train at the very last minute and then has to watch seven seasons in about six weeks. I’m doing pretty well actually.

The little gem of a show that is Travel Man returned last week, and it debuted a new four-episode run with the wonderful guest star Dawn French. In case the show has passed you by, it features Richard Ayoade taking a celebrity guest on a whirlwind 48 hour trip to various holiday destinations. Previous episodes have featured Aisling Bea in Budapest, Jon Hamm in Hong Kong, and Paul Rudd in Helsinki.

If you pay any attention to TV and culture on the internet, you’ll likely have heard people raving about Fleabag. I’m sorry to say that I’m just going to add to the adoration here, because it really was that good. I have to admit, though, that I only caught on to the Fleabag bug recently, and revelled in the joy of binge-watching it. I actually have to go one step further and admit that I probably wouldn’t have watched it at all if it wasn’t for Andrew Scott being in the second series. Thank goodness I did.

I recently finished watching Russian Doll on Netflix, the show created by Natasha Lyonne and Amy Poehler, featuring the former as Nadia who relives the same night over and over. It’s Groundhog Day-style drama and although it was a bit of a rollercoaster to get there, by the end, I really loved it. Here are a few thoughts: The good thing about reliving the same time period over and over is that makes it essentially time travel and we all know that’s my favourite genre. The first episode was interesting, but I thought it dipped for the next two until Alan turned up. Once there were two of them, and they were workshopping their way towards a solution, it really picked up steam. I like that it’s not about the science at all. Although initially, Nadia wants to know how, why and what’s happening, gradually it becomes more about the humans and the relationships, what they’ve done and how they’ve got there. Sometimes it’s nice just to have thirty minute episodes of something, so you can whip through it as quick as you like. Natasha Lyonne is really, really brilliant. We all know it and have known it for a long time – she’s the best thing in American Pie, she outshone the entire ensemble cast of Orange is the New Black, so of course. But even so, I could listen to her just say cockroach every day for the rest of my life. That song. How much effort must go into picking just the right song that will be repeated over and over and stick in the viewer’s mind until they can’t remember a time before they heard it? Gotta get up, gotta get out, etc, etc. Also, omg, Paulie from Rocky showed up and all my worlds collided. Definitely give this one a watch if you have Netflix.

Whilst I am up to date with The Good Place (makes a change!), I hadn’t realised there was a podcast from the makers that dated back to the end of series one. Recently I heard some chatter about how good the podcast was, and so I quickly subscribed and started catching up. The chatter was right, this show is really good. Obviously you should only listen if you have watched the show they are talking about, but once you’re in the know, the extra insight you gain from this podcast is incredible. Hosted by actor Marc Evan Jackson, who is in the show, the podcast gathers a rotating guest list of other actors (including stars Ted Danson and Kristen Bell), as well as creators, writers, directors, producers, wardrobe, set designers, visual effects, anyone who is involved in making The Good Place as good as it sounds.

The BBC aired a one-off hour-long comedy this Christmas, starring Stephen Merchant and Asim Choudry as an unlikely duo travelling hundreds of miles to find a sought-after toy for the former’s kid, and featuring plenty of humour and emotional moments along the way. I loved it so much, I wished I was Film Watching it as I went along - then I realised, I can sort of do that anyway! Ah, having a blog is excellent.

When I read Not Going Out were doing a Christmas Special episode, I was very happy. Love this show, and any excuse for some more of Lee Mack’s fun wordplay is good enough for me. When I read on to see it would be a live show, then I was in two minds. Live shows are good, the additional adrenaline of ‘will they, won’t they mess up’ is an intriguing extra element, and it’s something to talk about whether it goes well or not.

I was aware of the hype surrounding Netflix’s recent horror offering, The Haunting of Hill House, but I wasn’t sure I was prepared for it. I quite like a good horror but haven’t watched anything in that genre for such a long time, I’ll be honest, I was a bit nervous about my nerves. However, a friend recommended it and thus I was convinced to at least give it a go.

The entire country went crazy for the recent BBC drama The Bodyguard, featuring Richard Madden and Keeley Hawes as a bodyguard and cabinet minister respectively. I came to this show late, as always, so was almost completely spoiled in terms of who did what, who died when, and what the outcome of it all was. That being the case, it wasn’t quite as intriguing for me as I imagine it was for other people, but it was still good.

The second series of Hidden Britain by Drone aired on Channel 4 recently, and I just wanted to take a moment to say how brilliant this programme is. I watched the first series and loved the concept - Tony Robinson introduces film footage taken by drones that fly over areas that are inaccessible or, at the very least, not open to the public. Now, let’s be clear from the start, that description does get a little bit stretched on occasion, particularly in the second series. Some of the locations you could get to on foot, and there often are people milling about, but still, it’s good to get a new view and look at things from a different angle.

Like many others, I recently finished watching Sharp Objects, the HBO mini series starring Amy Adams and based on the book by Gillian Flynn. I’ll be honest and admit I only watched this because it has the lovely Amy Adams in it, I didn’t particularly enjoy Gone Girl the book or the film, and whilst I did like Sharp Objects as a novel, I was worried how it would unfold on screen.

I started watching West World after a recommendation from a colleague. The last time this happened, Mr C and I became totally and thoroughly obsessed with The Big Bang Theory and this time looked set to be no different. We both sat down to watch it and loved it. The intriguing concept, glossy visuals, great cast, musical puzzles, twisting narrative and never-ending feeling of wondering where it was all going, these all added up to a great viewing experience. Even the occasional overly violent scene was an acceptable compromise for the greatness of everything else.

Recently, I discovered that NOW TV had six series of Gladiators available to watch on demand. I’m such a huge fan of Gladiators (bigger than I even realised, as a couple of episodes in, the theme tune made me a bit weepy!) and although I’ve seen clips and odd episodes over the last decade or so, this is potentially the first time I’ve been able to watch a concentrated batch of Gladiator goodness.

So, I was in between TV shows, eagerly awaiting the arrival of series two of The Crown. I had a few days to spare and Mr C suggested, based on a random tweet he’d seen, The Marvelous Mrs Maisel, available on Amazon Prime. I’d sort of forgotten I even had access to Amazon Prime content, but looked this one up. It only took maybe half an episode before I was hooked. What an incredible show, and here are five reasons why:

I’ve been rallying for more music television content since they took Top of the Pops off the air, and the BBC have delivered somewhat in the form of Sounds Like Friday Night (half an hour isn’t really long enough for that kind of show, but I’ll take anything at the moment). Now I think we’ve got time and space on TV for the return of music quizzing as well, and that brought to mind Name That Tune.

Earlier this year, I wrote up some thoughts on Netflix original content, and having just finished up yet another fabulous Netflix series, thought I would post an update. One Day at a Time (series 1) I don’t know the original show that this was based on, and by all accounts it’s different enough to not matter, but I wasn’t expecting to enjoy it as much as I did. The Cuban family dynamic is one quite alien to me, but actually it draws you in pretty quickly, and you start to really feel for the characters. Sometimes I wondered how Penelope kept on going, but it was reassuring and quite uplifting that she did. Can’t wait for series two.

Recently, I’ve been trying to watch more educational television alongside all the more sensational Netflix stuff or traditional half-hour comedies. This desire has meant checking out a lot of BBC Four and BBC Two, and I really enjoyed the four-part factual show on the latter: World’s Busiest Cities. Presented by Anita Rani, Dan Snow and Ade Adepitan, the show delved into what makes four very different cities across the globe tick. After the first episode, I was a bit confused about what the aim of the programme was – it felt a bit like a random selection of insights into a city that didn’t necessarily tie together. However, after watching more episode, I realised that the randomness of it actually was the point. These cities are huge and sprawling and you never know what you’re going to find around the next corner.

I was planning on publishing another update to my Adventures in Netflix series, but was waiting until I’d watched one more series of something. Unfortunately, any Netflix watching I had planned has been delayed as I’ve become totally obsessed with Red Rock – an Irish police drama that airs on the BBC during the daytime, the iPlayer whenever you want, and I believe on Amazon Video as well. It’s no secret that we’re big fans of Dublin in our household, so the concept of a soap based in the Dublin area was quickly my favourite thing. At first, I was just enamoured by the scenery and the accents, but I soon became caught up in the story as well. A few inter-twining plots make up this soap, with your traditional Romeo and Juliet love story, alongside a particularly creepy grooming storyline as well as cops going bad, family loyalties and plenty more.

I’ve been catching up with BBC Two’s The World’s Most Extraordinary Homes – a programme hosted by Caroline Quentin and Piers Taylor that is kind of like Grand Designs, but the houses are already built and no one gets pregnant before the end of each episode. My dad first highlighted the show to me, because there was an entire programme dedicated to underground houses. The dynamic duo visit four locations in each episode, sometimes staying overnight to get a really good feel of the dramatic, the exotic, the downright crazy of each domicile. Piers gives the insight of the architect, whilst Caroline gives a wonderfully optimistic more down-to-earth opinion.

This week, I just finished watching season four of Agents of Shield, and my word, it was an incredible ride. (Vague spoilers below, nothing major.) I’ve loved watching the trials and tribulations of these Shield agents since the show first began, but it has gradually been improving in quality to the point that this series was an absolute triumph. My affection for the Marvel Cinematic Universe has been wearing thin recently, the novelty of so many inter-connected movies has long since worn off and now all that is left is a strong feeling of being overwhelmed and consistently unable to keep up. At least with a TV show, it is for the most part self-contained. The odd reference to the bigger universe is a bonus and easily ignored, although it’s fair to say the events of each season are affected by what happens in that big bad world.

For the longest time, I’ve been wanting to buy Buffy the Vampire Slayer on iTunes, but I’ve held off because it’s not in HD. Plenty of older content is being converted into HD, but I understood that Buffy was a particularly tricky one to convert, what with it being all special effects and kick-ass movement. I hadn’t realised that the conversion had already been attempted a couple of years ago, with incredibly awful results.

Every time I finish watching a Netflix original show, I keep thinking I should write about it and then I never do. So gathered here are some thoughts on the things I have watched over the last few months, probably in reverse order. 13 Reasons Why Lots of fuss about this one and I can see why. It is surprisingly graphic in content, and tells a depressing story from start to finish. It’s well made and gradually grabs your attention, but I’m not sure it’s the best TV I’ve ever witnessed. I’m not sure which side of the debate I fall on, but I guess I’m glad that it’s raised awareness of topics like teen suicide. That can only be a good thing. Not sure how a second series would work, aside from the loose threads, this feels like a self-contained story.

I’m so gutted by the news that Peter Kay isn’t planning on any more Car Share. Plans change and things have a habit of being resurrected when you least expect it, but for the moment, Kay suggests the show is done. There’s not going to be a series three so it won’t ever happen. You’ve got to get out while the going’s good. No Christmas special, no… There’s only so much you can do in a car and the last thing you want to do is ruin it because I think it’s a lovely thing.

Over Christmas, the 80s TV show Pop Quiz returned for a two-part special, and it was brilliant! I’ve never heard of this show before, but was keen to give it a watch as it looked just like Question of Sport only about music. It even features genuine music acts, including Toyah Wilcox, some guy from Spandeau Ballet and other people I don’t know but who were a lot of fun. I really enjoyed the intros round, as well as the “guess the song from the lyrics” round. It’s always amazing how hard it is when lyrics are taken out of context and read with the wrong rhythm.

I started watching 11.22.63 a long while ago, and have just, finally, after such a long time, gotten to the end of it. I was so looking forward to watching this series, James Franco goes travelling through time in an adaptation of a Stephen King book? It couldn’t really sound more perfect if it tried. The first episode was massively intriguing, and I forgave its slow pace as it was setting up an absolutely intriguing premise. The moments where he jumped through the time travel window and found life to be exactly the same again and again, I loved all that stuff.

I didn’t realise I was eagerly awaiting the fourth series of Orange is the New Black, not until the Netflix Twitter account started to count down to its release date. Then I remembered how much I enjoy the show, and how long it has been since we were last allowed a glimpse of what was going on at Litchfield Correctional Facility. The release of series four coincided with a period of time where I happened to be in front of a screen for a good portion of the day. Or five days. And that’s what it took me to watch it through - the first time I’ve really, truly, binge-watched something the way all the jokes suggest.

Top Gear returned on Sunday, with the first episode presented by the new line-up airing over the bank holiday weekend. I’ve been waiting with anticipation for this moment, along with the debut of the Clarkson/May/Hammond Amazon adventure as well. Top Gear in its previous guise was brilliant but it was never quite clear if it was the format of the show that made it great (gorgeous HD photography, fun stunts alongside interesting but not so useful car reviews) or the personalities and relationship between the three hosts. Jeremy Clarkson’s angry outburst has given us the exact situation where we can find out.

I quite enjoy the BBC’s seasons, where they focus in on one particular subject across a majority of their platforms. But the latest one, called Sitcom Season, has me scratching my head. I love a good sitcom, new or old, but part of these plans involve bringing back a whole host of classic comedies and revitalising them for the new generation. For example: “Porridge, the classic prison sitcom, returns nearly 40 years after Norman Stanley Fletcher served his time. The legendary Dick Clement and Ian La Frenais, who created the 1970s series, will write the one-off special episode, which sees Fletch’s grandson, also known as Fletch, imprisoned for a series of cyber-crimes.”

The fact that Peter Kay’s Car Share was brilliant and received a lot of love is probably not news to many, given that the series aired in April last year. It was something that passed Mr C by, however, and whilst I watched it over and over and grew to love it more and more, I felt protective of it in that way that means you can’t really recommend it to someone. He’d ask if it was worth watching, and I’d umm and ahh whilst secretly coveting “my precious.”

I was super excited to watch the new Jessica Jones series on Netflix. I’d not got on board with Daredevil, but this was something different. The concept appealed 100% - Marvel expanding their universe with female characters at the helm? Bring it on. Netflix allowing us to binge watch the entire series at once? I’m on board! The trouble is, it arrived just before I got to my latest exam break, so I had the pain of avoiding spoilers and looking wistfully at the Netflix tweets about the series, waiting, waiting, waiting until I could find the time to watch.

Browsing through the BBC iPlayer, I saw that the final episode of Miranda that aired over Christmas was about to time out. It reminded me that three of my fondly admired sitcoms came to their conclusion this festive period, and surprisingly, all three went out in style. It may be that LOST burned me and that I hold a grudge for too long, but it feels like most TV shows captivate their audiences and then end in disappointment. Not these three!

I was listening to an episode of Current Geek recently, when a fascinating conversation emerged regarding the structure of television shows and their series’. Current Geek features Scott Johnson and Tom Merritt with guests, discussing pop culture topics. At the end of each episode, they have a feature where they predict what will happen in the future. I’ll be honest, I usually skip past this section because there’s no way it can live up to the fun of the quiz before it, but this time I listened to the scenario and was intrigued. The episode is available to listen here, with the specific section at about 49 minutes in, but I’ve transcribed the bits that interested me below.

When I stepped off the plane in Houston, I didn’t think Netflix was going to work. I have a UK account, obviously, and I figured that it just wouldn’t function across the pond. That was crazy thinking and when I opened the app I was overjoyed to see not only my current shows but also a selection of new and exciting things that we don’t get in the UK.

If you’ve been following my adventures online for any sort of time, you might already know that I haven’t been big on the emotions. My Film Watch reviews, in particular, have shown that I’ve avoided getting swept up in romantic comedies, and those that are considered tearjerkers left me cold. Because everything is a Friends reference, I was kinda like Chandler. You may also have noted the past tense in that first paragraph.

There was a lot of consternation doing the rounds this week when it emerged the BBC have plans to switch BBC Three from a TV channel to online only distribution. I can’t say that it’s a hugely surprising move, particularly as they have made a big push recently with putting the episodes of comedies up on the iPlayer before they appear on TV. The big pink Premiere logo appears on the show, and you can watch it online long before it reaches the schedules.

Sky have been expanding their Now TV offering with a fantastic Entertainment Pass. The Now TV app is on demand and live programming from Sky without having to sign up to a huge contract, or get dish-shaped things installed on the side of your house. They’ve got sports and movies, but it’s the entertainment package that has really caught my eye. For £4.99 a month (introductory price, we’ll have to see what it goes up to later), you get access to some of Sky’s entertainment channels, with a mix of full series on demand, selected catch up shows, and as mentioned, live coverage. The price is good, for now, matching Netflix, and it’s a similar service with different content inside.

ITV have brought the exceedingly popular quiz show Catchphrase back to its screen, with updated graphics and a snazzy new host. I haven’t seen the new show, except for a brief stint where they got Ant & Dec to play against each other a week or so ago. I’d imagine that it’s still fun, but nowhere near as good as the original - these remakes never are. And Roy Walker was such an integral part of the whole thing, what could it possibly be like without him?

Disappointingly, I wrote this post last month and - thanks to having to get the screen captures off the iPad and general forgetfulness - have only just remembered it was tucked away in my drafts. It is still interesting though, so let’s just wind back and pretend it’s the 27th January rather than February. It’s not every day that you see a tweet from your significant other waxing lyrical about Antiques Roadshow, and when that occurred to me last week, I had to investigate further.