I probably read this too close to the previous Liane Moriarty book but it’s when it became available to me and I didn’t want to miss the opportunity. At first I was a bit confused because there were a lot of characters - triplets and their extended friends and family - but gradually it all pieced itself together. As always, this was just a fascinating character study, three very different girls and how they ended up at a disaster of a birthday dinner. It’s not my favourite of the Moriarty books I’ve read so far but it is still of exceptional quality and worth every minute.

I’ve loved the Taylor Jenkins Reid books I’ve read so far so am working through the back catalogue. I wasn’t sure about this one at first, it took a while to hook me in, but gradually I got into it and wanted to know what happened next. I wasn’t entirely sold on the twist, I don’t know if it even needed to be there, but I suppose there had to be a reason she picked this particular journalist, etc etc. But the story of golden era Hollywood stars falling in and out of love was captivating and enough in its own right.

This was a really interesting memoir, detailing the life and times of a tennis player who doesn’t reach the heady heights of the superstar names you know and love, but puts in a real graft every day nevertheless. It’s always fascinating, if slightly uncomfortable, to think about that huge divide between the top players that can afford the help and support they need, versus the rather larger rest of the field who need to manage everything themselves, doing it on rather less prize money. This is a good, honest, revealing memoir, that is perhaps not surprising but does at least raise the subject once again.

The pattern of this striped cardigan caught my eye and I couldn’t stop thinking about it. Although it says it’s designed for men, it looks pretty unisex to me. So I set about knitting it and am pretty happy with the result. The only issue with the final result is that one of the shoulders sticks up a bit like it should have shoulder pads in it. The other one is fine. Also, it’s far too hot at the moment to be wearing a cardigan of any sort let alone a woollen one. I always seem to finish a project at exactly the wrong season to be wearing it.

When the sun comes out, lots of people migrate towards the coast. The beaches are crammed with families swimming and building sandcastles, and the coastlines are full of tourists enjoying the weather and the views. Recently, I was one of those people! However, so many humans travelling in the same direction makes traffic a bit of a bore, and therefore makes public transport more enticing. I’m not a big fan of buses, (more a fan of trains) but then I found myself on a bus… that goes on a boat!

I’m not really sure how this happened but I know it’s worth commemorating - four film adaptations of War of the Worlds in a row! The first two were definitely planned but then whilst researching what other War of the Worlds movies were out there, I discovered I had a copy of Jeff Wayne’s musical concert, and then of course had to go back to the 1950s and see how they managed the effects back then.

This album can be summed up for me really easily. I love the hits - Where’s Your Head At and Do Your Thing are legendary at this point - but I don’t suppose I really need a whole album of it. The good bits are good but it’s not really a genre of music I’m going to spend a lot of time listening to, and can be satisfied just enjoying the songs that I know and love by themselves.

Craig David does what he does well and no one can really imitate him, so you konw what you’re getting with this album. There are some good collaborations on here, and the songs are all very listenable and flow by easily. There’s nothing outstanding though, and on the flip side, I really wasn’t a big fan of rolling out the old assembly songs (stealing from assembly bangers at this point, huh), so in the end it’s mixed results.

This was a different film to what I was expecting, and I went into it thinking it wasn’t going to be particularly good. The start was very slow and the twenty minute rule almost came into effect, but it had just enough intrigue to keep watching and in the end I’m glad that I didn’t switch off.

Loved this. Moriarty has such a talent for casting characters and making them so intricate and believable and with all these human touches that even if you don’t relate to them directly, you can completely understand them. And the premise of this book is hugely intriguing - has this woman really predicted the age and cause of death for all these people on the plane? How all the threads go spreading apart and then come back together towards the end is masterful. A really, really great read.

I think this is the last book in the Maid series and I’m sort of glad about that. It feels like there’s not much further to go with this character, plus in this book we get a lot of family history and understand what happened with her grandmother to explain how they ended up in the poor but happy conditions they are in now. Meanwhile there’s a sale and a mystery around a Fabergé egg, but really it’s the backstory that I thought most interesting. A happy ending overall, though, phew!

I’m surprised it’s taken me this long to listen to this album but after randomly watching some old concert footage of the band and finding out I was singing along to every word, I remembered how much I liked them! This is a great album, the first four songs grab you and let you know you’re in for a fast-paced upbeat time, and the album doesn’t let up. I loved it, and should definitely be listening to this more!

I do enjoy Jade Bird’s style, a husky rock voice and some punchy powerful not-quite-pop. This album is more of the same and is a joy to listen to as you go through it. I don’t think there are any stand out bangers on there, and it’s not going to live long in my memory outside of listening to it. But it will definitely go on the rotation of good, solid albums to listen to occasionally.

This was a really good entry in the DCI Ryan series - quickly picking up after the cliffhanger at the end and putting one of our beloved characters in harm’s way. I do think he should have opened up to Ryan earlier, but it all worked out in the end! And in their personal lives, Ryan doesn’t have too much to deal with this time, except supporting his friends and family. I like the burgeoning family for Phillips and MacKenzie and how that is coming together as well. Plus there’s a crime to investigate and it’s an interesting family drama this time. Really good!

I loved this. There are lots of books that describe television shows but when you get an official history of one, that’s where the real gems are. And this one is really well done - the author completed hours of interviews with the cast and crew, and has pieced the story of the show together in an engaging and fascinating way. From the two initial pilots, to a doomed romance between cast members, to the pay rows that dominated later seasons, and of course the final events that led to the end of the series overall. Everyone speaks openly, honestly, and humourously about the highs and lows of this show and it’s just a real treat. Of all the things, though, I can’t get my head round the fact they only had one set of stairs and would have to redress the set every time the cast turned the corner. Madness!

What a treat this old-school War of the Worlds adaptation, so you have to adjust your expectations accordingly. The effects are surprisingly good, although it did, at times, feel like I was watching an episode of Thunderbirds. The models and the flames and the sirens and the little emergency vehicles, it was good!

After seeing I was on a bit of War of the Worlds kick, my dad mentioned this musical and it turns out I had a copy of it already, picked up in a musicals bundle on Apple. I was a bit nervous about it because the title is so long and what to expect from a musical adaptation of this tricky story? But it was really a pleasant surprise.

I’m really grateful that before going into this film, I’d seen that it was being panned by critics and the general public. I’d hoped it would be really good but that tempered my expectation which is good because it was terrible. In so many ways. First of all, the way the story is told through apps and screens is creative but also stifling and means occasionally they have to push the limits of believability to try and make it work. And sometimes when it’s bodycams or similar, it becomes quite dizzying in a bad way.

Oliver! the musical has had many outings since its inception in the 1960s, and the most recent is a West End Revival that burst onto the scene last year. I saw a performance on one of the variety shows and immediately bought tickets to see it. Taking up residence at the Gielgud theatre, the show is currently booking through to March 2026 and is so far having a very successful run.

Hall & Oates popped up on one of our Live Aid viewings and led to a discussion about how they’ve massively fallen out now, which is a shame. I only really knew You Make My Dreams going into this but actually found it a really good album. The cover of You’ve Lost That Lovin’ Feeling is a bit out of place, but then I learned that they wrote Everytime You Go Away rather than Paul Young. Lots of knowledge in this one album! Good early 80s pop.

This is a great album from Amy, a step up from the previous one I listened to which was a bit middle of the road for my tastes. This one feels as though it has a bit more oomph, and whilst it is still grown up singer/songwriter pop, it has great production and vocals that don’t get boring. It’s short and sweet, so there’s no time to get bored. The only downside is there’s no song that really grabs you and stands out from the rest.

This is a servicable thriller, but if I’m honest, it didn’t grab me as much as I’d hoped. I could understand the family’s desperation to find their missing daughter but as everything started to unravel and the secrets began being revealed, it all felt a bit unrealistic and hard to swallow - even if you try to suspend your disbelief. And the characters weren’t really that nice, to each other and just generally. Completely readable but not one I’m going to be thinking about for too long afterwards.

We would never have watched this if it wasn’t for the second series of Light & Magic, which talked in detail about some of the CG efforts that went into making it look good. Roll on a few weeks, and we saw there was an Ice Cube remake on Prime, so figured it was worth watching this one first before muddying the water with the remake.

This was a surprisingly refreshing read - Tom Felton tells it like it is and isn’t afraid to dig into the past and be honest about what he finds there. Felton has gained a bit of controversy recently around the Harry Potter author, but I think it’s always going to be complicated given what an impact these films had and how much of the childhood of these kids they took up. There are lots of Potter stories contained in here, fun moments and serious thoughts about the wider cast. There’s also talk of mental health and overcoming difficult moments, just keep going. It’s only the beginnings of a life, so a short autobiography, but definitely worth a read.

This was a lot of fun. I thought it was going to be a generic comedy, but it was quirkier than that. Weird and mostly unlikable characters, but plenty of fun and jokes and good tunes. In reality though, it was Nick Jonas who stole the show, with just one line that I’m still laughing about now. Cute ending, fun film, and Nick Jonas, what more could you ask for?

I loved the first Grace book so was keen to read the second. It took me a while to get back into it, but I was soon back on board. A great mystery to unravel, whilst Grace continues to deal with the disappearance of his wife and trying to move on. He has a new relationship on the cards, and still dabbles in the supernatural world as well, reconciling that with his more factual day job. A really good read and keen to move on to the next!

After watching the brilliant series of Rivals, I wanted to read the book but of course had to start at the beginning of the series. It’s great. It’s of its time so you have to place yourself in the mindset for it. But the characters are great, the writing draws you in and makes you care about them, even though most of them are pretty awful! I can’t say that the world of show jumping particularly interests me but even with that I was hooked by the storylines and who was doing well, who would win, what rivalry would be next. It was brilliant and I can’t wait to read the next one.

I was vaguely aware of the film adaptation of this and thought it was worth a quick look at the source material… only to find it completely captivating. The claustrophobia and the not knowing are absolutely key to the book and it’s so well done, it holds your attention, it makes you turn the pages, you need to know! There were a few pretentious moments using long words that I had to look up, but then I thought that added to the slightly other-world feeling. The fact that you don’t know what’s going on but get hints of it also increases the horror of the situation. Great book.

I had a bit of trepidation going into this book, how could there be another story to tell in the world of Atticus Pund? But in Anthony Horowitz we should always trust - this time he’s investigating the continuation novel, and it has meta moments as Horowitz has done his fair share of work in that area. There are a lot of new characters and plenty to unravel as we work through both books. The only bit I wasn’t too sure of was the detective sharing his findings by way of a chapter - that felt a tiny bit contrived. But still, loved it. I don’t know if there will be more in this series as this one felt like a proper ending, but either way, I really enjoyed it.

Continuing the nostalgia surrounding Live Aid at the moment, and after watching When Harvey Met Bob, it seemed inevitable that I would be listening to a Boomtown Rats album. I have only ever known the Mondays song and until watching his performance at Wembley, I don’t think I’d ever seen Geldof actually sing. So this was a revelation. I loved it though, it’s quirky and weird and I can see why they didn’t become mega-famous outside of the charity work, but I really enjoyed it. The Wind Chill Factor song got stuck in my head for days as well.

I mostly know Trisha Yearwood from the How Do I Live controversy, and then hosting lots of country music events that we’re lucky enough to see highlights of. I’ve not been so interested in listening to her music previously, thinking it might be a bit too traditional country, but this one seemed like a good place to start. It was brilliant! Right from the start it has a great balance of new and old country, not too pop but not too ‘slide guitar’ either. Actually it’s really good all the way to the last couple of tracks, where it drifts away slightly. But otherwise it’s good guests, great songs, a lot of fun.

This is the second part of a two-part round up of not-so-recent television I’ve been watching. There was a sizeable reduction in what I was able to get to over summer due to the great events such as Glasto and Wimbledon, but I’m back in front of the little grey box again and there’ll be more to discuss soon. Meanwhile, these shows caught my eye over the past few months.

As usual, I took some time off work this year over the Wimbledon fortnight to watch as much tennis as I possibly could. This time, I decided to shift the days a bit and focus more on the second week rather than the first… so typical that this was a year in which most of the top seeds went out super early and so I was left watching rather random people instead.

Recently, the BBC re-aired the 90s series Showstoppers - a musical extravaganza hosted by Gary Wilmott. I remember having this recorded from its original airing and rewatched it over and over. I know the first episode pretty much word for word… for a musicals fan, it’s a must-watch. The show came about because the BBC Concert Orchestra were basically at a loose end and producers suggested a one off show featuring songs from a variety of musicals. It went down really well, so they followed it up with a six part series, featuring lots of different musical guests, heaps of new and old musical numbers, and lots of dodgy jokes but great charisma from host Gary Wilmott.

I’ve been reading through the Saxon stories by the same author but thought I would dip back into Sharpe’s world - I’d got a bit bored of him in India but this one was definitely a change from that dusty and dangerous land. This was more like Hornblower, with Sharpe all at sea, making friends and enemies, and ending up in another significant battle alongside none other than Lord Nelson! A really good read with lots of good characters, and a nice change of pace from the previous three books.

I really couldn’t see where this series could take our lead character after two very eventful stories but there was a lot more adventure in store for Rhiannon. I thought the way it started by catching up with the journalist and then wound back through what had happened up to that point was good, but I was a bit annoyed we didn’t revisit the characters from the cruise ship at any point. I mean, it makes sense if you’re changing your identity but still, a shame. Lots of new characters to enjoy, lots of returning names and faces to remember, and an ending that opens up plenty of potential for the next book.

This collection of short stories around our central hero Jack Reacher are a bit hit and miss for me. The first couple are really good - the one with the handbag, and the one with Reacher and Joe as boys getting up to mischief on a new military base. But as they wear on they get a bit predictable, and shorter. There’s one towards the end that is pretty much Reacher discovering trouble in a bar, beating up the bad guys and then leaving town. I mean, we know that by now, we really don’t need to read it again. So mixed reviews, but the first few are definitely worth a read.

Excellent tunes on here, Chuck Berry doing what he does and doing it well. Obviously I listened to this album for the joy that is Johnny B. Goode but there are quite a few other classics on here. The downside to these 50s rock and roll albums is that the songs tend to sound very similar to each other, particularly those guitar riff intros. But the upside is that they tell good stories like country music songs do. Love it.

Never really know what you’re going to get with Justin Bieber and if I’m honest, this one was a little bit lacking for me. The production is excellent, each track is well done and with good vocals, but it al blends a little bit into the background. There are no major bangers on it, so you just go from one track to the next without huge impact. The extra chatty bits aren’t as annoying as I usually find them, but they don’t seem to add anything and certainly the one about how much soul Justin has was a bit icky.

There’s a lot of Live Aid nostalgia around at the moment as we recognise 40 years since the life-changing music event. This was a made-for-TV movie that documents Bob Geldof organising the charity concert, both working alongside and arguing incessantly with Harvey Goldsmith. It’s a great dramatisation of events, I’m sure with elements dramatised for effect but also I’m sure with great accuracy - for example how much Geldof lied and effectively bullied to get this thing off the ground. I was a bit disappointed that Paula Yates was effectively a non-speaking role, but there was plenty else to enjoy - particularly Domhnall’s portrayal of Bob which was accurate and moving in equal measure. Great job.

This feels like a slightly unusual topic for Michael Crichton to write about, given how his most famous works are technological and political thrillers. But I can see why it captivated him enough to put pen to paper - the story behind it is almost like a movie unfolding. The characters are intriguing, the plotting intricate, the pick-pocketing and preparations are excellent and the unfolding of the robbery beset with problems to overcome. Then there’s the trial and all that follows. It’s really a great story, even if the actual haul wasn’t necessarily worth all the effort! And the re-telling in this is great, written in a really engaging style with plenty of context given for why certain attitudes were taken at that time. Loved it.

I really enjoyed this Doctor Who story, something about it felt really in keeping with the TV show and I could just picture it all remarkably well in my mind. The Doctor is companionless still, but lands on a planet where there is some kind of plot afoot - this time involving the Sontarans who we know well from the TV series. A couple of plucky kids help where they can, and I love the bit where there’s an ominous way of knowing someone has been possessed - in this case a particular phrase. It gives you chills.

I bought this with a spare Audible credit before my subscription expired, and I pretty much just picked it up because it’s narrated by Nicola Walker who I love. Turns out, it was a great choice! Tense and moving, emotional but thrilling, it crosses lots of genres and keeps you hooked right from the start. At first the flipping between points of view was mildly annoying but then it became crucial to understanding how the story was unfolding. And oof, the ending and the twists and turns, all really well done.

When the furore around this book hit, I realised I had the memoir in my collection waiting to read - I must have bought it at some point when my obsession with the South West Coast Path was at its peak. So I had to give it a read, and I’m sort of glad I hadn’t already read it as it was more interesting with the background of the allegations against the author. From the book’s point of view, there’s only a little bit about how they end up on the path the way they have, the rest of it is more the spiritual journey and the hard work of being homeless on that path.

I’m surprised it’s taken me so long to read this book, given the name of it hits so close to home. But here we are, and whilst I knew it was a horror book about a sentient car, I didn’t know much else about it. I enjoyed the fundamental story, the elements here and there that add up to horror but in and of themselves aren’t too scary. I think it was a little bit drawn out, quite a long book for the story contained within, but a small complaint for another Stephen King classic.

I haven’t been watching much television recently as it’s been too hot to concentrate, alongside all the other extra-curricular activities - Glastonbury, Wimbledon, Goodwood FoS, etc. However, it’s been a while since I did a roundup of what I had previously watched, so there are still quite a few to catch up on. This is part one of a two part catchup for some of my recent viewing.

I will take any excuse to think or talk about Back to the Future, so seeing this post on the Guardian last week was another excuse to bring up the topic of my favourite movies. The premise of the article is just a revisit of the film trilogy on its 40th anniversary, recapping the history of it but also bringing it into context a little bit.

During Glastonbury last year, I was under the weather and couldn’t give it as much attention as I wanted, and as it deserves. So for 2025, I was determined to make up for that, especially as next year is a fallow year and there will be no festival to enjoy. I watched as much as I could that the BBC had to offer (there are five stages that are broadcast so not complaining but I do wish they could have spent some time on the Avalon stage, it looked like good things were happening there).

David Jason has written quite a few autobiographies and I’ve read a couple I think, but I enjoyed this one nevertheless. Rather than working chronologically through a life, this one focused on the characters that Jason has played in his career - how they came to be, how he developed them, and what they mean to him. Of course that means Del Boy, but also Pop Larkin, Inspector Frost, and Granville in both the original series but also the later revival. If you’re a fan of any of these characters then there will be something for you in the book, and it’s all told with great humility and humour from start to finish.

Moments into this film, I realised it was a premise we’ve seen a few times before - political leaders getting ambushed on Air Force One and having to fight for survival. It’s not original in any capacity, and the political message about NATO isn’t at all subtle. But it’s still quite a lot of fun. Elba and Cena have good chemistry and make a good odd couple, and there were some good twists upon twists that we didn’t manage to guess. Definitely worth a watch.