Theatre is one of the biggest things I’m missing in this lockdown, and although the country is (rightly or wrongly) easing out of lockdown status, theatres aren’t looking set to open anytime soon. And if they did, would we be comfortable enough to go to them? In the meantime, and because there is zero support from the government, theatres and artists are having to find their own ways to keep busy and hopefully make a little money to keep going a bit longer.

I was lucky enough to get a chance to see Pressure, a play by David Haig that is currently in the West End. The play tells the incredible true story of James Stagg, a meteorologist who was tasked with predicting the weather conditions for the D-Day landings. With Stagg predicting severe storms and Irving P. Krick - Hollywood’s meteorological movie consultant - predicting beautiful weather, the future of Britain, Europe and the United States rests on one single forecast.

When it was first announced that Miranda Hart would be taking the role of Miss Hannigan in the West End production of Annie, I knew I’d have to go and see it. Annie isn’t one of my favourite musicals – children and animals and all that jazz – but the chance to see Miranda in her first stage musical role was too good to pass up. Thus, I rocked up to the Picadilly Theatre one Saturday to see how it all went down.

I’m trying to up my theatre game this year, so was glad to get a chance to see The Play That Goes Wrong. I’d seen a snippet on some variety show on TV and became quickly entranced with the idea of seeing the full thing on stage. It’s such a brilliant show, starting simply but gradually building in terms of farce, disaster and hysteria. What’s clever about it though is that by the end, far from wondering what else can possibly go wrong for this poor haphazard bunch of people, you’re almost willing the next thing to happen to see just what lengths they will go to to try and keep going.

I recently got a chance to see Harry Potter and the Cursed Child, the two part HP play that is currently featured in London’s West End. Around the same time, the play broke records for Olivier Award nominations and actual award success, so I was going in with some pretty high expectations. Naturally, I have to #keepthesecrets but it’s fair to say that I can fully endorse the awards for production, lighting and sound.

It was an impromptu trip to the theatre, a last minute decision to snap up tickets to The Phantom of the Opera on a spare Friday night nestled in the midst of a very hectic couple of months. I like musicals, as they have been ingrained in my life since childhood, but I haven’t had as much chance to indulge recently as I’d like. Since watching We Will Rock You five times, I haven’t seen much else.

Theatre On my new 2006 calendar, I have marked down everything I want to see, and I am totally prepared to go and see everything I have noted. In one particular week, there are three different things on that I want to see!