On the record 2017, Part 7: A pretty chilled out vibe that works for me

When I first started this album adventure, outside influences very quickly impacted on the selection of albums both I and Mr C made. Watching the movie Straight Outta Compton propelled NWA’s album near the top of my favourites list, whilst the death of David Bowie saw me sampling the delights of Heroes.

Since then, we’ve been focusing more on our own selections – we both have lists of potential choices. Mr C’s list is the larger one, covering all of musical history, whilst mine is smaller with only 2016 and 2017 to choose from. It’s been a while since we’ve deviated from the lists, but recently, there has been a big influencer on the choices – Carpool Karaoke.

After watching the first episode I was obsessed with getting a Will Smith album under my belt, and the next week I managed to have a completely Carpool Karaoke themed selection. Having seen Alicia Keys and John Legend jamming together in the car, I chose him for my new album and Mr C threw Alicia’s debut into the mix. I love it when stuff like this happens, crossing the streams and all that, because it just adds to my ever-growing musical knowledge and makes this album listening silliness all the more relevant.

Also, a bonus shout-out for Lukeh and Jeremy who gave me suggestions for current albums that I probably wouldn’t have picked myself. Such fun!

Week 31

  • Different Days, The Charlatans
    Nice and relaxing this one, I don’t know much about The Charlatans but this album has a pretty chilled out vibe that works for me. I quite like the interludes as well, not too intrusive and add rather than take away from the work as a whole.
  • Red, Taylor Swift
    I hadn’t realised quite how pop Taylor had already gone before she even got to 1989. This album’s first half is pure pop before reverting to the more familiar country sound. It’s longer than a lot of albums too and stacked with hits, plus a couple of good collaborations to boot.

Week 32

  • Pawn Shop, Brothers Osborne
    This was a recommendation, and I’d not heard of the band before. It’s proper country, not pop country that I usually indulge in, but it wasn’t as hoky as I’d thought it might be. The first half of the album is quite relaxing, and it’s all got a nice rhythm to it.
  • Look Sharp, Roxette
    Excellent album, it’s very eighties, so maybe hasn’t aged as well as it might have done, but the songs are all still great – the singles stand out, naturally, but love it all. Some of the tracks remind me of Madonna, but the combination of the two voices gives it a slightly different vibe.

Week 33

  • Truth is a Beautiful Thing, London Grammar
    I was keen to listen to this one, heard good things, but this isn’t really my sort of thing. Bit heavy, ethereal, quite like Florence and the Machine. Lead singer has a great voice but there isn’t much else to it, and I found it a bit of a slog to get through the whole album.
  • Big Willie Style, Will Smith
    Love Will Smith. Inspired to listen to this after his Carpool Karaoke, and really enjoyed it. The pop-rap style is totally up my street, great rhythm in rapping but slightly more palatable subjects than more hardcore rappers. Plus I know all the words to Men in Black, so can end the album in style.

Week 34

  • Darkness and Light, John Legend
    Was always under the impression that Legend was a bit whiney, you know, soppy laid back music, but I hadn’t realised Love Me Now was him. After being educated by Carpool Karaoke, I gave his album a go, but did find it to be a bit underwhelming. Love Me Now is a stand out track, the rest far less memorable.
  • Songs in A Minor, Alicia Keys
    This is one of the few albums that I listened to multiple times when it came out. I’m slightly obsessed with Alicia: such a good voice, amazing piano talent and just a wonderful presence, so it’s lovely to dip back into this familiar selection of R&B/pop goodness.

Week 35

  • Memories…Do Not Open, The Chainsmokers
    At first, I was optimistic about this one – I liked the style and the different guests bringing unique voices to various tracks. Unfortunately, it still all managed to sound similar – and a couple of the songs were just like Closer with Halsey. Good but not great.
  • 1989, Taylor Swift
    I’ve heard this a few times, obviously, but somehow I’d forgotten that there were just so many great tracks on here. It’s a fab album from start to finish, and I can understand why Mr C loves it so much. Listened to this just in time to start enjoying her new stuff too!