On the record 2017, Part 6: Hear them and love them and join the dots

Here’s why this album adventure still remains a lot of fun even 18 months after it started.

Me: I get why Queen’s stuff got turned into a musical, because Freddie was so theatrical anyway, you know? I really don’t see how it works with Meat Loaf.

Mr C: Sure, except you know Meat Loaf’s work is called rock opera, right?

Me: Wha…

[x2 listens of Bat Out Of Hell later]

Me: I get it now.

I really liked that Meat Loaf album, but hey, you can read on to find out more about that.

Week 26

  • Dua Lipa, Dua Lipa
    I’ve only just become aware of Dua Lipa, but her album was a surprise to me. It’s your standard pop fare, although I did think it was made up of well-produced, catchy songs, if not hugely memorable. Her voice is interesting though, deeper and more soulful than I’d expected.
  • Crowded House, Crowded House
    Only knew Don’t Dream It’s Over going into this one, and that is a stand out track of the album (although the Miley/Ariana version is better), but actually the rest of it was a lot of fun too. Good pop rock, interesting hooks, very listenable. Enjoyed it.

Week 27

  • TLC, TLC
    I didn’t realise the girls were getting the band back together, but out of nowhere came a self-titled album from TLC (or TC as they sadly should be now). It was a good album, sort of standard R&B with that quite notable TLC sound. Not sure any of it stands out for me but very, very listenable album.
  • Bat Out of Hell, Meat Loaf
    I loved this! It’s a bit of a surprise because whilst I know I like Meatloaf songs in isolation, I wasn’t sure about a whole album stacked with super long songs in that rock opera style. Don’t know what I was worrying about, it was brilliant! Curious to listen on to Part II now.

Week 28

  • Something to Tell You, Haim
    Oof I love this album. I was eagerly anticipating it, and listened to it twice in quick succession before 8am on the day it came out. Love it so much. Every song has a unique something, it’s all quite angsty but these girls know how to layer their instruments and voices to create great sounds. Will listen many more times, I know.
  • Escape, Enrique Iglesias
    This album has that pure early 2000s pop sound that I so loved. I’ve sort of grown out of it now but love it as a nostalgia trip. One of the songs was very Eurovision, and I do wonder if putting the same songs in various languages really counts, but otherwise it’s a great foot-tapping pop album.

Week 29

  • Evolve, Imagine Dragons
    Really liked this album. I sort of feel like I don’t know any Imagine Dragons songs but then hear them and love them and join the dots that they’re by this band. This album is a fab collection of pop-rock with some powerful rock anthems sitting comfortably side by side with more traditional pop blends. Love it.
  • Like a Prayer, Madonna
    Interesting collection of songs here, some massively stand out more than others but it also makes a complete work that has to be considered together. It’s good, and you can hear the craft in it, alongside Madonna’s excellent voice and musicality. Not sure it totally won me over but I appreciate the work.

Week 30

  • Parking Lot Symphony, Trombone Shorty
    Not my usual style of music but actually quite liked it. It scared me off a little at the start – the first track being almost entirely jazzy, but moved into more comfortable territory. I like the songs with added brass instruments, and it’s got a cool vibe. Not all my cup of tea but still a good album.
  • Appetite for Destruction, Guns N’ Roses
    Hard to think I can add anything to the world about this band, quintessential hard rock, with a couple of fantastic anthems on there – Sweet Child O’ Mine particularly stands out. But it’s an album full of good tracks, quite intense in places but overall a solid listen.